BioKlastik said:
But, quit trying to fool everyone with your banter, because as you can tell, it isn’t working.
I haven’t checked the forum in a week, but I thought BioKlastiks statement was pretty funny considering I haven’t written anything in a week, and there was tons of Nogah, Fulck, Spartak, mini-balls banter going on in that interim directly prior to his post.
Did you see how much the All the Madmen LP went for last week BioKlastik?
I am not trying to fool anyone. I have been extremely clear about the release, and what my intentions are with it, and the record label.
I have released a great minimal synth record and any collector that wants this record is going to buy it.
I can see on MyEbay that there are far more people that want the record than there are blue copies of the record. So with 11 blue copies left I definitely wouldn’t be waiting until copies 18, 19, or 20 to get a blue copy if I was one of those collectors.
Spartak said:
In fact, i would like to know one item that would be worth more money (= more collectable) were it less mastered.
The All the Madmen LP and every forthcoming obscure identities release.
Also, every minimal synth record that was released in the late 70’s early 80’s as opposed to every remastered record released in the last 20 years.
What do you think is worth more money Kris? The Transparent Illusion LP on Vex Records, or the Remastered Reissue?
I 100% don’t agree with your opinion. As I said before to remaster music ruins it.
Just because something “technically” sounds better does not make it better. To me when a song is remastered it makes it fake, and foreign, and completely unredeemable in regards to its original intent. It becomes music that is totally spiritually false.
Do you not go to live shows ever because you are afraid that when the musician plays they might miss a note or lose their voice? Because you know they always do. Music is not perfect Kris, and it is not meant to be made perfect. That is my adamant opinion, and I know you book live shows so you should be able to understand the concept.
Also, in the case of superior life you can hear sound issues in the start of the song on Do you hear the sirens calling LP, i’m sure there are other recordings (f.i. the cry havoc version) that could have been used instead.
The cry havoc version of Superior Life was released on the Cry Havoc comp. If you want that version then you should get the Cry Havoc comp.
The version of Superior Life on the All the Madmen LP is the Demo version and it has absolutely no sound issues. It is completely amazing exactly as it is. Also, you really can not comment on what it sounds like because you do not own the record, and have never heard it.
Stephen
obscure identities