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Posted: 31 August 2009 06:21 AM   [ Ignore ]   [ # 811 ]  
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Ton,

You know I cut private communication with you for good and for a good reason.

It might sound strange to you but has it ever crossed your mind that the way you’re behaving might also be interpreted as ego-tripping by other people?

I directed my remark at Kris because it would be truly absurd if he really had his account deleted because of you. Needless to say, I would very much like him to remain a forum member.

And as you seem in dire need of a good honest fight, how about leaving Virtualia for a change and stepping out into the mean streets of The Hague? A man of your talents should be able to pick up one in no time…. 8)

 
Posted: 01 September 2009 08:56 AM   [ Ignore ]   [ # 812 ]  
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hey guys, keek the thread clean… I mean if anyone enjoys this thread regularly and you’re just destroying it with your flame wars, that’s not nice!

Back to topic:
Today I enjoyed listening repeatedly to
The Outcast - Arrival

an obscure 1984-85 self released LP by KENN FINK which seems to be unknown so far?!? It’s from NYC, the label is called Deep SPace Records.

“Arrival” is an instrumental and somehow danceable. Checking with some minimal and Italo/Cosmic guys, it seems the latter prefer it more, although to me it belongs more in the minimal category. The whole release reminds me to guys like Geoff Landers or Lou Champagne if you know what I mean.

Some tracks with vocals there as well, which are okay, but not so good in my view. But I need to listen to the more closely I think, as “Arrival” was on repeat all day!

 
Posted: 01 September 2009 12:24 PM   [ Ignore ]   [ # 813 ]  
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[quote author=“falck”][quote author=“AnnaLogue”]i never understood this thread, but as my CD player gave up life i am playing a lot of vinyls again, and thus i have just put the needle onto…

And isn’t it ironic that on a board dedicated to bands that most of the board members consider commercial underachievers a thread which is a complete intellectual lightweight (sorry Aircrash, no offence meant) is the most popular one by far?  :wink:

Lexy & K-Paul featuring Atomekk Dog - Let’s Play

Non a taken Falck.

@ Ton

Showing off the aim of this thread? Nah.  Read it’s first post and all will be revealed. A thread about latest purchases and acquisitions, that would be all about showing off.
:wink:

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Posted: 01 September 2009 07:59 PM   [ Ignore ]   [ # 814 ]  
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today:

MALARIA - emotion LP
Incredible full-length debut (1982) by this german all-girl band. One of my favourite records. Rather dark and experimental new wave with some minimalistic analogue electronics (“Leidenschaft-Passion”) and even sporadic gothic tendencies (“Tod-Death”). Strongly recommended for the more openminded new wave listener!

 
Posted: 02 September 2009 12:00 AM   [ Ignore ]   [ # 815 ]  
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thanks, Jens, that’s exactly what i meant!

“Arrival” is an instrumental and somehow danceable. Checking with some minimal and Italo/Cosmic guys, it seems the latter prefer it more, although to me it belongs more in the minimal category. The whole release reminds me to guys like Geoff Landers or Lou Champagne if you know what I mean.

that is an interesting information and also due the mention of the reminiscent groups might lead me wanna find out more about the group, asked for sound samples, look for the record, etc .... i do not think it is much asked for to write a few sentences only while you are at it (listening to the record).

and thanks, too, Claudia, that is nice.

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Posted: 02 September 2009 08:03 AM   [ Ignore ]   [ # 816 ]  
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First of all thanks Anna for kinda animatin’ the thread so I guess it’s perfect time for me to join the party..

Primal Scream - Vanishing Point
absolutely amazing indie classic, fell in love with it when it came out (was it 1997?) and it still fascinates me so much

Also I have a heavy Cabaret Voltaire (their pre-bleep era) flashback for a last week, these guys were so damn ahead of their time.. So I finally ordered “Industrial Evolution” book, can’t wait..

 
Posted: 02 September 2009 10:53 AM   [ Ignore ]   [ # 817 ]  
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[quote author=“deutschmark”]

Primal Scream - Vanishing Point
absolutely amazing indie classic, fell in love with it when it came out (was it 1997?) and it still fascinates me so much

I’ve never actually heard the original, but always stuck at the dubversions on “Echo Dek”
Amazing industrial dubsoundscapes. Still think it’s their best. Never heard anything yet that’s so complete.

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Posted: 02 September 2009 12:06 PM   [ Ignore ]   [ # 818 ]  
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Alphaville-Forever Young

 
Posted: 02 September 2009 12:08 PM   [ Ignore ]   [ # 819 ]  
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Coil-Astral Disaster

 
Posted: 02 September 2009 01:27 PM   [ Ignore ]   [ # 820 ]  
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Bel Canto-White-out conditions

 
Posted: 02 September 2009 08:57 PM   [ Ignore ]   [ # 821 ]  
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Also I have a heavy Cabaret Voltaire (their pre-bleep era) flashback for a last week, these guys were so damn ahead of their time..

strangely i never found much access to or interest in CV - i once bought their Crackdown album from 1983 and didn’t find it much entertaining. a song here and there from samplers then, but i only got electrified with “Automotivation” that i know from Various - The Tyranny Of The Beat - Original Soundtracks From The Grey Area.

so what is THEE cv album/tracks to hear that justifies their cult status ?

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Posted: 02 September 2009 08:57 PM   [ Ignore ]   [ # 822 ]  
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Also I have a heavy Cabaret Voltaire (their pre-bleep era) flashback for a last week, these guys were so damn ahead of their time.. So I finally ordered “Industrial Evolution” book, can’t wait..

It’s a great read even if it isn’t approved by The Cabs. A good addition to what you probably already have read in Tape Delay.

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Brian Eno sank my battleship

 
Posted: 02 September 2009 09:09 PM   [ Ignore ]   [ # 823 ]  
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Alphaville-Forever Young

i often wondered what made an electropop band having success back then, i guess 99% was luck, but in case of Alphaville, it is truly very good music/composing and i guess they deserved it.

interestingly, Daniel Miller rejected Depeche Mode when they played their first tracks to him, and if i remember correctly, he got convinced when seeing them live, a mad world….

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Posted: 02 September 2009 09:10 PM   [ Ignore ]   [ # 824 ]  
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[quote author=“AnnaLogue”]
strangely i never found much access to or interest in CV - i once bought their Crackdown album from 1983 and didn’t find it much entertaining. a song here and there from samplers then, but i only got electrified with “Automotivation” that i know from Various - The Tyranny Of The Beat - Original Soundtracks From The Grey Area.

so what is THEE cv album/tracks to hear that justifies their cult status ?

Well Crackdown is indeed a bit on the boring end and I wouldn’t say I know most of all the stuff they did BUT Micro-Phonies is a must-have IMHO.

Try Digital Rasta, Spies in the Wires and Blue Heat for instance - great stuff!

 
Posted: 02 September 2009 10:14 PM   [ Ignore ]   [ # 825 ]  
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[quote author=“AnnaLogue”]

Also I have a heavy Cabaret Voltaire (their pre-bleep era) flashback for a last week, these guys were so damn ahead of their time..

strangely i never found much access to or interest in CV - i once bought their Crackdown album from 1983 and didn’t find it much entertaining. a song here and there from samplers then, but i only got electrified with “Automotivation” that i know from Various - The Tyranny Of The Beat - Original Soundtracks From The Grey Area.

so what is THEE cv album/tracks to hear that justifies their cult status ?

I love The Cabs very much although I have to admit that their late 80’s / early 90’s albums are reasonable at best with only a few good moments. They were under a lot of pressure to go pop/dance and actually sell records, not ideas and propositions. From the uninspired “Code” onwards they were effectively destroying their cult status with “Groovy, Laidback & Nasty” being their low point:  “Phil Collins does a house record”  :cry: “. They shoot horses don’t they?
Thefollowing ambient records were actually solo records by Richard( as Mal had left for Oz) and could be from an entirely different band altogether. Not essential Cabs listening.
So you don’t want to go there, now let’s give you some good recommendations.
The “Crackdown” is a great record, try and find the version with the brilliant bonus 12”, but “Microphonies” is better. One of their best, with Do Right, Blue Heat & Sensoria. Also listen to their 12” “Yashar”. “The Covenant, The Sword And The Arms Of The Lord” is also very good even if the record is a bit eclectic covering different styles.
Another highpoint is the 1985 double 12” “Drinking Gasoline”. Brilliant funky electrowave. The CD’s “Radiation” and “Live At The Hacienda” give a good impression of how great they were on stage.
“Eight Crepuscule Tracks” then. I like this early 80’s compilation a lot. They were going through a transitional fase from industrial post punk experimentation to a more electronic sound with elements of funk and disco after Chris left for a dream job at Tyne&Tees; Television.
Their earlier records are all brilliant. “Red Mecca” is my favorite from that period, with “The Voice Of America” a close second.
“74-78” is a compilation of tracks from their pre “NanNagNag” days. “The Attic Tapes” 3CD box covers the same period, but is highly recommended if you like to hear more of their earliest outings.
The “Conform To Deform’‘82/‘90” box contrary to it’s title covers mainly their late 80’s period with rare house remixes. Not my favorite. 

Hoping to have helped you a bit further.

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