Yeah, indeed, I’ve just been offered a troll
Reactorlgtn:
You can try as hard as you might, I will never troll you. And I don’t want to be trolled by you either either. It’s just not the done thing in Germany :D
Extended remixes from the eighties DID add to the song at times, but only when they were within reasonable bounds regarding their lengths and the level of creativity that went into them. Anne Clark’s single and extended version of Sleeper in Metropolis which sound rather different are a positive example for me here.
But again, I was more referring to the 7 to 10 minutes attrocities - like i.e. the 7:44 version of Gina X’s “Drive my car” (yawn) or the “Big in Japan” 7:25 - version which turns a perfect song into a chewing gum.
Catherine:
Sorry, the boys are messing with your thread again, but as you can see this time it’s all reactorlgtn’s fault. I wasn’t even near it when it happened.
I’d say your absolutely right on principle that minimal synth songs shouldn’t be too long, most of the ones that kinda define the genre aren’t.
Thinking about it a long “minimal” song is a contradition in terms, isn’t it? Still there’s one I heard recently which I think is too short. :wink:
Anyone interested in a 9:15 version of Love is strange, BTW?