[quote author=“solvent”]
you know, i think it can be way too confusing to use the term “new wave”
The New Wave is a term used to describe the sheer BULK of new bands after punk, really. It means the bands of those years around 79-82, and it’s only much later been seen as a sort of genre… I once bought a bunch of old music mags/papers/fanzines from that time and DIRE STRAITS were “new wave”. Yes really, you could go to a club in 1979, and see them share a bill with Spandau Ballet, or some punk band, or both… The point was DIY, do things that isn’t done by everybody else, be different from the bands that inspire you. Which is a better agenda than the retro bands around nowadays, although I should maybe not start THAT discussion here and now
i can understand why some people would dislike new romantic… the new romantic movement was very shallow… but hey, i love some of it. i would love to jump into the video for “planet earth” and talk to nick rhodes about synthesizers. i’m not a purist “minimal-wave” guy - i would rather listen to “Fade to Grey” than “Subhuman”.
Not only do I respect this, I guess I agree with you too. Although ONE Spandaus LP is enough for me, and I will never listen to Culture Club.
TG is the only artist that you list, IMO, who had a clear confrontational agenda, and i don’t much like TG, only a few of the more synthpop songs like “Hot on the Heels”, “Adrenaline”, “Walkaround”....
“AB/7A”, “United”. Also “Discipline” and “Very Friendly”. And “Roman P” by PTV!
big “fight”: “grrrr, i’m the operator of my pocket calculator”
i suppose if i met one of my heroes like Phillip Oakey and he was an egotistical, negative person who insulted me and everyone i know, then perhaps i would be turned off from listening to the Human League for a while…. but would i stop listening to the Human League forever? no way, i couldn’t do it.
Come on… You hear ONE LINE of singing from this guy and you know he’s a great person!! You see ONE CLIP from the “Made in Sheffield” DVD interview, and you think, wow, what a great guy! Philip Oakey would never go about insulting people, exactly in the same way that Superman wouldn’t. He can get my sister’s mobile number any time he wants it.
maybe they were political people but it’s not reflected in their art, and even if it was, it’s not what i listen to them for. i guess Visage did sing about some major conflict though, there was that terrible “crash of the anvil at the nightclub school”!
myes, recent research shows that this was their first delve into the racist undertones in their music which ultimately would alienate their fans. A video was shot where the anvil was crashed by a gang of black thugs, planning a hostile takeover of England. In the end, Steve Strange dressed as Margaret Thatcher boots them out of Parliament in the 11th hour… The video was not screened, and the KKK-influenced last scene ensured that YouTube probably won’t upload it either.
This explains why the German-language version of this song is now their most sought-after release; it was met with boycott, no doubt the German Zionist mafia was behind this.
notice how this Nazi-issue has become such a main focus of this discussion, even though it is only 1 of several points i made… that’s because it’s a very touchy subject.
No, that’s because I didn’t know anything about the ACTUAL topic, and wanted to write about something loosely related. You get that a lot in web forums.
now we have reactorlgtn proving my point - you weren’t on the GD forums and didn’t meet the guy, so now you only have the music to judge LSE on—the baggage surrounding the music is already disappearing into the past.
So, if I still say, pants to LSE, I have enough other artists I need to check out before finding out about a band of dubious social skill, does this alter your point? -But no, I have one single with LSE, which is good (Westmoon Klub/ Geldmann, thanks Carlo!), so maybe I shold listen to some more stuff from him.
But if I find just ONE song with a title like “Hitler is underrated” I’m off.